The classical Phrygian dominant mode in a progressive rock manner by using Chromatic lines , inside/outside playing and random notes.

Pentatonics are extremely useful to create cool solos. But what if we added some notes to them? How about adding to the pentatonics the notes that would make them work on modes?

Let's explore the mysterious depths of the Phrygian mode!

The Phrygian scale is the 3rd mode taken out of a Major scale. The minor second degree gives it an eastern feel. Today's lesson will focus on an E minor Phrygian key. On a technical point of view, we'll concentrate on alternate picking.

Outside phrases using the Phrygian dominant scale for jazzy fusion vibes

Today we'll take a look at the Phrygian Dominant scale. When a scale is Dominant, it means that it has a major third and a minor seventh. That means that a Phrygian dominant scale is a phrygian mode with a major third.

In this lesson we will study an improvisation that will use the Phrygian mode, and the Ionian mode (aka Major scale). The key is in G and the track modulates from G Phrygian to G major. The following licks are not very technical, but are there to show you how to build musical ideas that are built around the chords.

Develop your rhythm control and Power Chord visualisation, using a Phrygian flavour.

Based on the band Pronoia where he uses Phrygian Minor riffing.